There are still many many fans of writers like Tolkien, Austen, and Dickens, but contemporary readers (particularly genre fiction readers) are looking for more than entertainment from a book — they want an emotional experience! “By some curious chance one morning long ago in the quiet of the world, when…
Category: Deep Point Of View
Deep Point Of View
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3 Red Flags For Author Intrusion In Deep Point Of View
Readers want an emotional experience or journey in addition to being entertained. Many writers are looking for ways to create a deeper connection between readers and their main character. They want to create an emotional experience and deep point of view definitely can do that, but not if you undermine…
Deep Point Of View
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How To Write Fear Authentically Even If You Don’t Write Thrillers
Want to scare your readers? SHOW them what your character is afraid of! Your story needs life or death stakes (and not necessarily the murderous, knife-wielding, gravestone kind of life or death stakes). Fear and the body language of fear, should be topics every novelist strives to know better. Fear…
Deep Point Of View
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4 Ways To Replace Dialogue With Subtext Even New Writers Can Master
Once I realized what subtext was and the different ways I could use it effectively, it became a go-to tool for deep point of view. I had a reader ask: Can subtext replace dialogue and how would that look? Subtext is silent communication. It’s the body language (posture, facial expressions,…
Deep Point Of View
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How To Use Beats To Keep Long Dialogue Passages Interesting Even If There’s No Action
There are times in a manuscript where your characters engage in a longer dialogue exchange. Ideally, those dialogue passages are where important information is revealed for readers. In deep point of view, we want to avoid using dialogue tags (he said, she said) but additionally we don’t want readers to…
Deep Point Of View
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3 Ingredients You Need To Make Readers Feel
I get so many writers telling me that what they want is to make their readers feel something. Their goal is to make a reader laugh, cry, shake their fist at the sky–whatever, either to cheer on the character or cry in sympathy with them. Deep point of view is…