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Dive Into The Soul Of Storytelling With Deep Point Of View

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Lisa Hall-Wilson

Dive Into The Soul Of Storytelling With Deep Point Of View

Category: Deep Point Of View

Deep Point Of View

17 Things To Know About Deep POV Before You Start Writing

Posted on April 18, 2022April 18, 2022 By Lisa Hall-Wilson

I LOVE deep POV, but there’s a lot of confusion about what it is and what it isn’t, how it works, what genre or tense you must use – lots of questions and a lot of confusion. I wanted to put together a list of things many people don’t realize…

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Deep Point Of View

4 Responses To Uncertainty That Create Tension In Fiction

Posted on January 13, 2022January 13, 2022 By Lisa Hall-Wilson

Something I’ve observed over the last two years or so is how different personalities react to uncertainty. Very little about life is certain, that’s always been true, but when the stakes are raised different personalities handle uncertainty in varied ways that can create all sorts of really compelling internal conflict….

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Deep Point Of View

1 Pro Tip To Create Emotional Depth In Deep POV

Posted on December 9, 2021December 9, 2021 By Lisa Hall-Wilson

I have mainly been writing guest posts for other blogs and neglecting my own. *sad face* So, I’m hoping to post here more regularly going forward, but it will mean shorter posts. *mittened fist-bump* One of the things that writers seem to struggle with a lot when shifting from limited…

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Deep Point Of View

Writing Trauma In Fiction: Anniversaries

Posted on July 27, 2021July 27, 2021 By Lisa Hall-Wilson

The anniversaries of traumatic events can radically increase internal conflict.

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Deep Point Of View

Writing Complex Emotions In Deep POV: Shame

Posted on July 9, 2021July 9, 2021 By Lisa Hall-Wilson

The key to deep POV is specificity and particularity. Put the reader in the scene with the character, in their shoes, inside their head — keep no secrets.

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Deep Point Of View

Use Beats In Deep POV To Convey Emotion

Posted on September 9, 2020September 9, 2020 By Lisa Hall-Wilson

In deep point of view, we want to use beats instead of dialogue tags to attribute dialogue. Beats move the story ahead, they are more efficient, keep the reader deep inside the character’s head, and remove the writer/narrator voice. In limited third person, dialogue tags are encouraged (he said/she said),…

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